12/30/2023 0 Comments Berberian sound studio onlineAnd Strickland wrings these for as much horror as he can squeeze out of them by first marrying them to confusing extreme close-ups that evoke a terrifying whatsit, before pulling back to reveal a rather pedestrian MacGuffin. He showcases the bloodcurdling screams, gurgles and gasps by otherwise ordinary looking voice actors. Instead he hones in on the Foley techniques utilized by Gilderoy and his sound crew. It's only then that the viewer is allowed to see what's really being shown, a mix session for a horror film in which the yelp must be looped by a more accomplished female "screamer." Strickland goes further than De Palma did, restricting the viewer even from seeing any part of the film after its opening credits. Blow Out's opening fools you into believing the film is just your typical 80s slasher flick until its terrorized female victim lets out more of a mild yelp than a scream. The movie correlation to Berberian Sound Studio that immediately comes to mind are the first few scenes of Brian De Palma's Blow Out (and by extension, one could argue, Antonioni's deceptive Blowup). Before long, fiction and reality start to blend in a way that makes it difficult to discern whether Gilderoy is working behind the scenes of or starring in Francesco's film. As the disquieting sounds of torture and grisly slaughter reverberate through Gilderoy's mixing room, they place the unassuming technician in a hallucinatory state of unease many times more disturbing than the one the movie's audience already feels. They also speak to the length of time Gilderoy spends in post-production. Gilderoy's only remaining tether to the outside world are banal letters from his mother regarding birdwatching, something that on an elemental level recalls Psycho's Oedipal Norman Bates and his love of taxidermy. Strickland blocks the viewer from ever leaving the claustrophobic Berberian Studio the same way Francesco forces Gilderoy to stay. In Berberian Sound Studio, this person is a British sound engineer named Gilderoy (Toby Jones), hired by demanding producer Francesco (Cosimo Fusco) to try to save his floundering low-budget giallo film in post.
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